Senate debates

Monday, 23 November 2015

Matters of Public Importance

Arts Funding

4:14 pm

Photo of Dean SmithDean Smith (WA, Liberal Party) Share this | Hansard source

because either the opposition do not understand it, or they are wilfully misrepresenting the facts. The minister or his delegate—in this case, his delegate; in the future, perhaps her delegate—will approve funding based on those independent recommendations. That is entirely consistent, and this is an important point, Mr Acting Deputy President Bernardi, with existing programs administered by the Department of Communications and the Arts. Indeed, it is also consistent with arrangements for funding in every state and territory government.

What is especially exciting about Catalyst is that it is consistent with this government's core policy objective of promoting innovation. This fund will provide financial resources to support projects conceived by galleries, by libraries and by the museum sector. Many of these are not usually eligible for grants from the Australia Council, so we are diversifying their funding sources. As the guidelines make clear, funding is only made available to organisations, not to individuals, and it is only for specific projects. It cannot be used by organisations for operational funding.

But, as I was saying earlier, these proposals have been developed following consultation with a wide range of people active in our arts and creative industries. Catalyst will recognise the important contribution made to the vitality of Australia's arts scene by small and medium-sized organisations, most particularly those active in regional communities around the nation—indeed, regional communities across my home state of Western Australia. Funds can also be used to attract further private sector investments for arts projects, including infrastructure. I think that is an important and valuable point. All too often in Australia we have overlooked the significant cultural investments made by businesses in the private sector, but they too play a crucial role.

Grants made will be capped at a maximum level of $500,000 a year, which will help to make certain that more projects from more regions can be funded. The program will have $12 million available to it each year. Of course, there is still significant financial support available to individual artists, as well, through the Australia Council. And as a result of the government's decision last week, $32 million will now be made available to the Australia Council over the period of the forward estimates, bringing a total of $783 million over the four years across the forward estimates so that the Australia Council can continue its work.

But what we did not hear today, what we did not hear this afternoon—or certainly not yet—in contrast to the belly-aching attitude adopted by those opposite, was that this measure has been welcomed by the Australia Council's chief executive, who said in a statement that these decisions would allow the council:

… to increase investment in the two core grant rounds for 2015-16, …

This is news that I am sure will be welcomed by individual artists who need support for their new works. Likewise, Nicole Beyer of ArtsPeak, a major representative body in the arts sector, said on ABC Radio last week, 'It's great. You know we're really pleased this is happening.'

I know these sorts of comments are intensely irritating to those opposite, because the Labor Party like to think that they are the party for the arts community. In Australian political mythology, which is stoked at every opportunity by those opposite, the nation was covered in darkness before December 1972. It was only when Gough Whitlam moved into the Lodge that the nation suddenly discovered its creative side. That is what Labor senators would have you believe . In actual fact it was the Liberal government under John Gorton that first provided prominent public funding support for the arts in Australia and really breathed life into the Australia Council that we know— (Time expired).

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