Senate debates

Tuesday, 25 June 2013

Bills

Australia Council Bill 2013, Australia Council (Consequential and Transitional Provisions) Bill 2013; Second Reading

12:21 pm

Photo of George BrandisGeorge Brandis (Queensland, Liberal Party, Shadow Attorney-General) Share this | Hansard source

You were shamed into it by the statements made at the Senate committee by the opposition, and you know that, Senator Milne. Please do not mislead the Australian people.

What the opposition has decided to do is to reinstate as the core functions of the Australia Council the language of the existing act, the language of the Australia Council Act 1975. At the Senate hearing, we received no compelling evidence from anyone that the definition of the core functions of the Australia Council that has underlain the basis of its activities for 38 years is no longer appropriate or sufficient, so the course we have adopted is to reinstate them. That means that, among other things, not only would we reinstate 'upholding and promoting the right of persons to freedom in the practice of the arts' as one of the core functions of the Australia Council but we would reinstate the objective 'to encourage the support of the arts by the states, local governing bodies and other persons and organisations'. We would reinstate 'the promotion of the knowledge and appreciation of Australian arts by persons in other countries'. We would reinstate 'the promotion of incentives for and recognition of achievement in the practice of the arts'. There is no good reason why those should cease to be core functions of the Australia Council.

I am not sure if it was rhetoric or ignorance, and perhaps it was an unhappy combination of the two, but Senator Milne suggested that by preserving the existing provisions of the Australia Council Act the opposition did not wish core functions of the Australia Council to include certain of the new core functions which are put forward by the bill—such as, for example, to conduct and commission research into and publish information about the arts; to evaluate and publish information about the impact of the support the Council provides; to undertake any other function conferred on it by this act or any law of the Commonwealth; or to do anything incidental or conducive to the performance of any of the above functions. Senator Milne, I know you have sat in upper houses, both here and in Tasmania, for longer than I have. But it has evidently escaped your notice that such functions are among the powers that all bodies corporate, including statutory bodies, already have. We are not stripping the Australia Council of any power that it does not already have. We are restoring to it functions and objectives about certain core values that you would gladly see it lose.

I will now turn to the subject of the grounds of ministerial intervention. The opposition has always accepted that an important principle of arts funding is that arts funding should be at arm's length and that individual decisions in relation to arts funding should not be dictated by government. That provision appears in the existing act and it is preserved by clause 12 of the bill, which the opposition does not propose to amend in any respect material to this issue. Clause 12 of the bill by subclause (2)—taking up language from the pre-existing act—says:

(2) The Minister must not give a direction in relation to the making of a decision by the Council, in a particular case, relating to the provision of support (including by the provision of financial assistance or a guarantee).

That has always been part of the law, Senator Milne, if you did not know, which obviously you did not. The opposition does not propose to amend that provision.

Subclause (1) of clause 12 of the bill says—and you apparently support this, Senator Milne:

(1) The Minister may, by legislative instrument, give directions to the Board:

(a) in relation to the performance of functions, and the exercise of powers, of the Council; or

(b) requiring the provision of a report or advice on a matter that relates to any of the Council's functions or powers.

The opposition supports that and would add another clause in relation to the formation and terms of reference of a committee. So, Senator Milne, regarding concern that you have about inappropriate ministerial intervention, that has always been prohibited by the act and would continue to be prohibited by clause 12(2) of the bill, and the opposition does not seek to alter that. The appropriate scope of ministerial direction to the Council is provided for by clause 12(1). It always has been and would continue to be, although the opposition offers an additional amendment in relation to the new committee systems proposed by the bill.

Let me say a word about the appropriate relationship between the Council and the minister. Having been the minister, Senator Milne, I am able to inform you about this. There is one very important stakeholder in the arts community not directly represented on the Council or on any of its committees, and that is the taxpayer. Within that category, which includes all of us, there is one particularly important stakeholder in the arts community not represented on the Council or on any of its committees—at least not directly represented—and that is the audience. Every dollar that the Australia Council distributes is a dollar of taxpayers' money, money compulsorily acquired from citizens.

The trustee of the public interest, in ensuring the taxpayers' money is spent wisely and appropriately, is ultimately the parliament and, immediately, and answerable to the parliament, the minister. The Australia Council should never be entirely autonomous, nor has any chair of the Australia Council ever said that it should be, because if it were then there would be no supervision of the way in which the taxpayers' money is distributed, and there would be, most particularly, no guarantee to ensure that the interests of audiences—so far as a large proportion of the Australia Council's dollar is spent in the field of the performing arts—were looked after. In a democracy the interests of audiences, in my view, are a very important consideration.

The interests of artists, and in particular the right that you would take away, the right to freedom of artistic expression, are very important values. Undoubtedly, that is why we moved to reinstate it. But the interests of audiences to ensure that their taxpayer dollars are being reinvested so as to produce programs, concerts and shows that they actually want to watch rather than programs and performances that appeal only to a tiny few are respected. Ultimately, that is for the parliament and the minister to have some say in—not to be the arbiter but to have some influence over it. I do not run away from that core position for a moment.

In the time left I will touch on one other matter that the coalition's amendments would restore but the government's proposed bill removes, and that is an obligation to take into account the interests of the people in the various states and the people in regional Australia. Not all excellence in the arts in Australia resides in Sydney and Melbourne. Not all excellence in the arts resides in the metropolitan capital cities. We have some of the great arts companies of the world, particularly in Melbourne and Sydney, but we also have excellent arts practice in the smaller capitals and we have excellent arts practice and loyal, enthusiastic audiences in regional Australia as well. One of the purposes of the opposition's amendments is to ensure that the Australia Council, in discharging its statutory function, pays due regard to the interests of practitioners and audiences in the smaller capital cities, in the provincial cities and towns, and in regional Australia as well—something that I am sure, Senator Christine Milne, is very far from your thinking.

We want the arts to be excellent. We want them to be world standard. But we want them to be accessible to all Australians, not a chosen and self-selected few.

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