Tuesday, 30 November 2021
Dalaithngu, Mr David, AM
As discussed with the Leader of the Opposition prior to question time, on indulgence and very briefly I wish to pay tribute to a formidable force in Australian cinema and Australian cultural life, and that is David Dalaithngu AM. He was a gift from our country, a gift to our country, who, through dance, song, art and the stage, allowed our country to see a better self. He was a mirror to the soul of Australia. On stage, television and the big screen, David shone and reflected something massive back to us: the 60,000-year history of Indigenous people in this country. We all knew him. Many in this House would have seen him for the first time, I suspect, when they were young children, as Fingerbone Bill in Storm Boy, Moodoo in Rabbit Proof Fence, Neville Bell in Crocodile Dundeeshowing another side to his great talents—King George in Australia or the tracker in Rolf de Heer's film of the same name.
David was of the Mandhalpuyngu clan of the Yolngu people. He was grounded in the rich traditions of those people. Schooled in multiple languages and living in a community that kept performance cultures alive, he understood story and meaning. He carried himself with elegance, grace, dignity and beauty. According to historian Dr Amanda Harris, who has written extensively about the history of Aboriginal music and dance, he had a strong desire to tell his own story, the story of his culture, the story of Australia. She said: 'He saw the arts—dance, music, opera, acting—as acts of diplomacy and dialogue, acts that could bridge divides and let us see each other as we truly are.'
There was always something bigger about his work, and that was reflected on stage and screen. It is often said that David lived in two worlds. It wasn't easy for him to bridge this gap between his two worlds. But one thing brought those ties together, and that is that he was a storyteller. He allowed Australians to see something richer. In lauding him, we should not rob him of his joy, his cheekiness and the ease with which he carried himself. On occasion he'd begin an acceptance speech with the words 'I deserve this'—and he did. The director Peter Weir recalled when they first met. He said:
As I was leaving and got in my old car, you leaned in through the window and said to me, 'I've told you very special things, Peter, just for you … And just remember, as you drive away, my shadow will be beside you in the car.' And I remember driving off and looking at the passenger seat.
On this day, we say to David that he deserves the accolades and we know his shadow is beside us. This country, its history, its joys and its travails were the essence of his being. To his family, his friends and his people we extend our deep sympathies for their loss and Australia's loss. May he rest in peace.